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Solo Performance / Selection )

2022 / Performance: "Tresor sous-marin" .

Volksroom - Brussels .

Photo: Johan Pijpops.
Ignacio Galilea as Ivan Noria /.

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2020 / Performance: "My ketchup" .

“ Homografia - Homography Fest “ at Le Tri Postal - Brussels /

Photo: Eliad VL.


Ignacio Galilea criticizes the deep contrast between the infinite identities one can develop in life and the limited, gender-driven social impositions we all face since birth.

Link Video: Homography Fest.

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2019 / Performance: "Durum Battle in Mardid" / “Mardid“ /.

Done in: Perfocilinne_441 at Sign6 (Bruxelles), / Antic Teatre (Barcelona), / Barlok (Bruxelles), / Rotulux (Paris), / MEM Festival (Bilbao) among others.

Music: Kris Engelen .

Photo: Alessia Bombaci - Eva Campos.

This performance, resulting from a real-life experience of a bureaucratic error, ponders identity, our social system and human stupidity.

Link video: https://vimeo.com/109348480

Una performance que a raíz de la experiencia vivida por error burocrático, reflexiona sobre la identidad, nuestro sistema social y la estupidez humana.

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Performance: “Tutorial“ / Brussels 2017 /.

Proyect: “Sociodélic Channel“.

Camera - edition:  Nay Nay Duxx. 

Costume: Nathan French.

Link video:Tutorial.
 

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2017 / "CHA" Performance.

“Brussels Poetry Fest “ -  BELvue Museum (Brussels). /

Photo Video:  Zoilly Molnar.

This performance talks about the "Cosmovision Horizontal Aplicada"; a new system of living nowadays, following a sociodelic way for it, and avoiding the people from being calling you a madman.

Link Video: "CHA".

Sobre la "Cosmovisión Horizontal Aplicada", un nuevo sistema para vivir hoy en día de manera sociodélica sin que te llamen loco.

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2019 / Performance: "Hate holidays".

Artpotheek sans fronteires - Brussels. / Photo: Eliad VL.

About new technology, comunication and the misunderstanding.

Acerca de las nuevas tecnologias, la comunicacion y los malos entendidos.

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2019 / Performance “Sociodelic Overdose".

 Le Lac - Bruxelles.
Performance closing of my exhibition "Sociodelic Overdose". /

photo: Kieran Labarrete.

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2018 / Performance: "Navajo Joe goes to Venus".

Virtual Actors: Ariane Foks, Morgane Wadbled, Mireia Arnella, Fleur Kani / Done in: Accion!MAD (Madrid), Antic Teatre (Barcelona), Sign6 (Bruxelles), MEM Festival (Bilbao) / Photo: Antic Teatre.

A performance that ironically reflects on the importance of the art and the mistake for the human evolution. Metaphorically, the above mentioned evolution can create the possibility that an Indian does a performance in Venus. virtual actors: Arianne Foks, Morgane Wadbled, Fleur Khani, Mireia Arnella camera: Zoilly - photo: Raùl Perez / photos: Antic Teatre.

Link video: https://vimeo.com/76324898.

Una performance que reflexiona irónicamente sobre la importancia del arte y el error, para la evolución humana. Metafóricamente, dicha evolución puede crear la posibilidad de que un indio haga una performance en Venus. 

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2015 / Performance: "Protocol_010" .

Fest: "El Sonido de la ultima carcajada" - ExTeresa, Mexico DF / curator: Carlos Jaurena / Photo: Oliver Ludwing and Luis Felipe H. / Others version of Protocol were done in; Le Chien Perdu (Brussels), Nau Estruch (Sabadell), Antic Teatre (Barcelona) and Overtoom 301 (Amsterdam).

Link Video: https://vimeo.com/66755699

It is a sociodelic performance showing a dimensional map that allows us to see at one and the same time the many other different realities existing alongside ours, and that affect ours in some definite way. By unconventional means, this performance uses various impulses, concepts, frequencies, references and artistic channels to create a baroque text that gives rise to an entire kaleidoscope of interpretations.

Protocol nos muestra un mapa dimensional que nos permite ser conscientes al mismo tiempo de otras muchas realidades que marchan entorno nuestro y que nos afectan de manera determinante. Es una Performance Sociodelica que genera una semiótica barroca, derivando en un caleidoscopio de lecturas.

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2012 / Performance: "Timecilinne".

Event: Perfocilinne_001 at Artpotheek - Bruxelles 2011 / Photo: Franklin Cando.

About chance, life, and the time as a drug.  

Link video: https://vimeo.com/43727119

 

Sobre el azar que determina la vida y el tiempo como droga.

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2011/ Performance: "LIE".

Done in  Artpotheek Gallery - Bruxelles. / Collaborator: Vassilis (ex profesional soldier). / Photo: Franklin Cando.

About art, war, society and líes.

Sobre el arte, la guerra, la sociedad y la mentira.

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2013 / Performance: "The Dictator".

Done in Le Chien Perdu - Bruxelles. / Costume: La Maria.

About power, space and the objects dance.

Link video: https://vimeo.com/60090122

Reflexion sobre el poder, el espacio y la danza de objetos.

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2010 / Performance: "Intersection 010".

Le Chien Perdu / Bruxelles.

This sociodelic performance with a realistic ending, reflects about new spaces between dimensions.

Una performance sociodélica de final realista que reflexiona sobre nuevos espacios entre dimensiones.

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2010 /  Performance: "Cynique".

Event: organized by "JAJAJA" at Galerie 21 du Recyclart, Brussels. photo: Michel

About bla bla bla bla bla ... and time.

Sobre bla bla bla bla bla ... y el tiempo.

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2008 / Performance: "Plasma".

Done in: Ciudad de León Auditorium, León - Spain. / Sound: Jargor - technician: Jesus.

Link video Plasma: https://vimeo.com/43791864 

Metamorphosis. Evolving and developing of the pictorial work that by means of the performance turns into support for the projection of the action that has transformed it. Plasma speaks on the defenselessness of the painting opposite to the new artistic trends, turning it through the performance, in installation multimedia without stopping being a painting.

Metamorfosis. Evolución y desarrollo de la obra pictórica que mediante la performance se convierte en soporte para la proyección de la acción que los ha transformado. Plasma habla sobre la indefension de la pintura frente a las nuevas tendencias artísticas, convirtiéndola a través de la performance, en instalación multimedia sin dejar de ser pintura.

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